Project Gutenberg EBook of A Lover’s Complaint, by William Shakespeare

This eBook is for the use of anyone anywhere in the United States and
most other parts of the world at no cost and with almost no restrictions
whatsoever.  You may copy it, give it away or re-use it under the terms
of the Project Gutenberg License included with this eBook or online at
www.gutenberg.org.  If you are not located in the United States, you’ll
have to check the laws of the country where you are located before using
this ebook.



Title: A Lover’s Complaint

Author: William Shakespeare

Release Date: November, 1998 [Etext #1543]
Last Updated: February 24, 2019

Language: English

Character set encoding: UTF-8

*** START OF THIS PROJECT GUTENBERG EBOOK A LOVER’S COMPLAINT ***



This etext was prepared by the PG Shakespeare Team,
a team of about twenty Project Gutenberg volunteers.


A LOVER’S COMPLAINT



by William Shakespeare




From off a hill whose concave womb reworded
A plaintful story from a sist’ring vale,
My spirits t’attend this double voice accorded,
And down I laid to list the sad-tun’d tale;
Ere long espied a fickle maid full pale,
Tearing of papers, breaking rings a-twain,
Storming her world with sorrow’s wind and rain.

Upon her head a platted hive of straw,
Which fortified her visage from the sun,
Whereon the thought might think sometime it saw
The carcass of a beauty spent and done;
Time had not scythed all that youth begun,
Nor youth all quit, but spite of heaven’s fell rage
Some beauty peeped through lattice of sear’d age.

Oft did she heave her napkin to her eyne,
Which on it had conceited characters,
Laund’ring the silken figures in the brine
That seasoned woe had pelleted in tears,
And often reading what contents it bears;
As often shrieking undistinguish’d woe,
In clamours of all size, both high and low.

Sometimes her levell’d eyes their carriage ride,
As they did batt’ry to the spheres intend;
Sometime diverted their poor balls are tied
To th’orbed earth; sometimes they do extend
Their view right on; anon their gazes lend
To every place at once, and nowhere fix’d,
The mind and sight distractedly commix’d.

Her hair, nor loose nor tied in formal plat,
Proclaim’d in her a careless hand of pride;
For some untuck’d descended her sheav’d hat,
Hanging her pale and pined cheek beside;
Some in her threaden fillet still did bide,
And, true to bondage, would not break from thence,
Though slackly braided in loose negligence.

A thousand favours from a maund she drew,
Of amber, crystal, and of beaded jet,
Which one by one she in a river threw,
Upon whose weeping margent she was set,
Like usury applying wet to wet,
Or monarchs’ hands, that lets not bounty fall
Where want cries ‘some,’ but where excess begs ‘all’.

Of folded schedules had she many a one,
Which she perus’d, sigh’d, tore and gave the flood;
Crack’d many a ring of posied gold and bone,
Bidding them find their sepulchres in mud;
Found yet mo letters sadly penn’d in blood,
With sleided silk, feat and affectedly
Enswath’d, and seal’d to curious secrecy.

These often bath’d she in her fluxive eyes,
And often kiss’d, and often gave to tear;
Cried, ‘O false blood, thou register of lies,
What unapproved witness dost thou bear!
Ink would have seem’d more black and damned here!’
This said, in top of rage the lines she rents,
Big discontent so breaking their contents.

A reverend man that grazed his cattle nigh,
Sometime a blusterer, that the ruffle knew
Of court, of city, and had let go by
The swiftest hours observed as they flew,
Towards this afflicted fancy fastly drew;
And, privileg’d by age, desires to know
In brief the grounds and motives of her woe.

So slides he down upon his grained bat,
And comely distant sits he by her side,
When he again desires her, being sat,
Her grievance with his hearing to divide:
If that from him there may be aught applied
Which may her suffering ecstasy assuage,
’Tis promised in the charity of age.

‘Father,’ she says, ‘though in me you behold
The injury of many a blasting hour,
Let it not tell your judgement I am old,
Not age, but sorrow, over me hath power.
I might as yet have been a spreading flower,
Fresh to myself, if I had self-applied
Love to myself, and to no love beside.

‘But woe is me! Too early I attended
A youthful suit; it was to gain my grace;
O one by nature’s outwards so commended,
That maiden’s eyes stuck over all his face,
Love lack’d a dwelling and made him her place;
And when in his fair parts she did abide,
She was new lodg’d and newly deified.

‘His browny locks did hang in crooked curls,
And every light occasion of the wind
Upon his lips their silken parcels hurls,
What’s sweet to do, to do will aptly find,
Each eye that saw him did enchant the mind:
For on his visage was in little drawn,
What largeness thinks in paradise was sawn.

‘Small show of man was yet upon his chin;
His phoenix down began but to appear,
Like unshorn velvet, on that termless skin,
Whose bare out-bragg’d the web it seemed to wear.
Yet show’d his visage by that cost more dear,
And nice affections wavering stood in doubt
If best were as it was, or best without.

‘His qualities were beauteous as his form,
For maiden-tongued he was, and thereof free;
Yet if men mov’d him, was he such a storm
As oft ’twixt May and April is to see,
When winds breathe sweet, unruly though they be.
His rudeness so with his authoriz’d youth
Did livery falseness in a pride of truth.

‘Well could he ride, and often men would say
That horse his mettle from his rider takes,
Proud of subjection, noble by the sway,
What rounds, what bounds, what course, what stop he makes!
And controversy hence a question takes,
Whether the horse by him became his deed,
Or he his manage by th’ well-doing steed.

‘But quickly on this side the verdict went,
His real habitude gave life and grace
To appertainings and to ornament,
Accomplish’d in himself, not in his case;
All aids, themselves made fairer by their place,
Came for additions; yet their purpos’d trim
Piec’d not his grace, but were all grac’d by him.

‘So on the tip of his subduing tongue
All kind of arguments and question deep,
All replication prompt, and reason strong,
For his advantage still did wake and sleep,
To make the weeper laugh, the laugher weep:
He had the dialect and different skill,
Catching all passions in his craft of will.

‘That he did in the general bosom reign
Of young, of old, and sexes both enchanted,
To dwell with him in thoughts, or to remain
In personal duty, following where he haunted,
Consent’s bewitch’d, ere he desire, have granted,
And dialogued for him what he would say,
Ask’d their own wills, and made their wills obey.

‘Many there were that did his picture get
To serve their eyes, and in it put their mind,
Like fools that in th’ imagination set
The goodly objects which abroad they find
Of lands and mansions, theirs in thought assign’d,
And labouring in moe pleasures to bestow them,
Than the true gouty landlord which doth owe them.

‘So many have, that never touch’d his hand,
Sweetly suppos’d them mistress of his heart.
My woeful self that did in freedom stand,
And was my own fee-simple (not in part)
What with his art in youth, and youth in art,
Threw my affections in his charmed power,
Reserv’d the stalk and gave him all my flower.

‘Yet did I not, as some my equals did,
Demand of him, nor being desired yielded,
Finding myself in honour so forbid,
With safest distance I mine honour shielded.
Experience for me many bulwarks builded
Of proofs new-bleeding, which remain’d the foil
Of this false jewel, and his amorous spoil.

‘But ah! Who ever shunn’d by precedent
The destin’d ill she must herself assay,
Or force’d examples ’gainst her own content,
To put the by-pass’d perils in her way?
Counsel may stop a while what will not stay:
For when we rage, advice is often seen
By blunting us to make our wills more keen.

‘Nor gives it satisfaction to our blood,
That we must curb it upon others’ proof,
To be forbode the sweets that seems so good,
For fear of harms that preach in our behoof.
O appetite, from judgement stand aloof!
The one a palate hath that needs will taste,
Though reason weep and cry, “It is thy last.”

‘For further I could say, “This man’s untrue”,
And knew the patterns of his foul beguiling;
Heard where his plants in others’ orchards grew,
Saw how deceits were gilded in his smiling;
Knew vows were ever brokers to defiling;
Thought characters and words merely but art,
And bastards of his foul adulterate heart.

‘And long upon these terms I held my city,
Till thus he ’gan besiege me: “Gentle maid,
Have of my suffering youth some feeling pity,
And be not of my holy vows afraid:
That’s to ye sworn, to none was ever said,
For feasts of love I have been call’d unto,
Till now did ne’er invite, nor never woo.

‘“All my offences that abroad you see
Are errors of the blood, none of the mind:
Love made them not; with acture they may be,
Where neither party is nor true nor kind,
They sought their shame that so their shame did find,
And so much less of shame in me remains,
By how much of me their reproach contains.

‘“Among the many that mine eyes have seen,
Not one whose flame my heart so much as warmed,
Or my affection put to th’ smallest teen,
Or any of my leisures ever charmed:
Harm have I done to them, but ne’er was harmed;
Kept hearts in liveries, but mine own was free,
And reign’d commanding in his monarchy.

‘“Look here what tributes wounded fancies sent me,
Of pallid pearls and rubies red as blood,
Figuring that they their passions likewise lent me
Of grief and blushes, aptly understood
In bloodless white and the encrimson’d mood;
Effects of terror and dear modesty,
Encamp’d in hearts, but fighting outwardly.

‘“And, lo! behold these talents of their hair,
With twisted metal amorously empleach’d,
I have receiv’d from many a several fair,
Their kind acceptance weepingly beseech’d,
With th’ annexions of fair gems enrich’d,
And deep-brain’d sonnets that did amplify
Each stone’s dear nature, worth and quality.

‘“The diamond, why ’twas beautiful and hard,
Whereto his invis’d properties did tend,
The deep green emerald, in whose fresh regard
Weak sights their sickly radiance do amend;
The heaven-hued sapphire and the opal blend
With objects manifold; each several stone,
With wit well blazon’d smil’d, or made some moan.

‘“Lo, all these trophies of affections hot,
Of pensiv’d and subdued desires the tender,
Nature hath charg’d me that I hoard them not,
But yield them up where I myself must render,
That is, to you, my origin and ender:
For these of force must your oblations be,
Since I their altar, you empatron me.

‘“O then advance of yours that phraseless hand,
Whose white weighs down the airy scale of praise;
Take all these similes to your own command,
Hallowed with sighs that burning lungs did raise:
What me, your minister for you, obeys,
Works under you; and to your audit comes
Their distract parcels in combined sums.

‘“Lo, this device was sent me from a nun,
Or sister sanctified of holiest note,
Which late her noble suit in court did shun,
Whose rarest havings made the blossoms dote;
For she was sought by spirits of richest coat,
But kept cold distance, and did thence remove
To spend her living in eternal love.

‘“But O, my sweet, what labour is’t to leave
The thing we have not, mast’ring what not strives,
Planing the place which did no form receive,
Playing patient sports in unconstrained gyves,
She that her fame so to herself contrives,
The scars of battle ’scapeth by the flight,
And makes her absence valiant, not her might.

‘“O pardon me, in that my boast is true,
The accident which brought me to her eye,
Upon the moment did her force subdue,
And now she would the caged cloister fly:
Religious love put out religion’s eye:
Not to be tempted would she be immur’d,
And now to tempt all, liberty procur’d.

‘“How mighty then you are, O hear me tell!
The broken bosoms that to me belong
Have emptied all their fountains in my well,
And mine I pour your ocean all among:
I strong o’er them, and you o’er me being strong,
Must for your victory us all congest,
As compound love to physic your cold breast.

‘“My parts had pow’r to charm a sacred nun,
Who, disciplin’d and dieted in grace,
Believ’d her eyes when they t’assail begun,
All vows and consecrations giving place.
O most potential love! Vow, bond, nor space,
In thee hath neither sting, knot, nor confine,
For thou art all and all things else are thine.

‘“When thou impressest, what are precepts worth
Of stale example? When thou wilt inflame,
How coldly those impediments stand forth,
Of wealth, of filial fear, law, kindred, fame!
Love’s arms are peace, ’gainst rule, ’gainst sense, ’gainst shame,
And sweetens, in the suff’ring pangs it bears,
The aloes of all forces, shocks and fears.

‘“Now all these hearts that do on mine depend,
Feeling it break, with bleeding groans they pine,
And supplicant their sighs to your extend,
To leave the batt’ry that you make ’gainst mine,
Lending soft audience to my sweet design,
And credent soul to that strong-bonded oath,
That shall prefer and undertake my troth.”

‘This said, his wat’ry eyes he did dismount,
Whose sights till then were levell’d on my face;
Each cheek a river running from a fount
With brinish current downward flowed apace.
O how the channel to the stream gave grace!
Who, glaz’d with crystal gate the glowing roses
That flame through water which their hue encloses.

‘O father, what a hell of witchcraft lies
In the small orb of one particular tear!
But with the inundation of the eyes
What rocky heart to water will not wear?
What breast so cold that is not warmed here?
O cleft effect! Cold modesty, hot wrath,
Both fire from hence and chill extincture hath.

‘For lo, his passion, but an art of craft,
Even there resolv’d my reason into tears;
There my white stole of chastity I daff’d,
Shook off my sober guards, and civil fears,
Appear to him as he to me appears,
All melting, though our drops this diff’rence bore:
His poison’d me, and mine did him restore.

‘In him a plenitude of subtle matter,
Applied to cautels, all strange forms receives,
Of burning blushes, or of weeping water,
Or swooning paleness; and he takes and leaves,
In either’s aptness, as it best deceives,
To blush at speeches rank, to weep at woes,
Or to turn white and swoon at tragic shows.

‘That not a heart which in his level came
Could ’scape the hail of his all-hurting aim,
Showing fair nature is both kind and tame;
And veil’d in them, did win whom he would maim.
Against the thing he sought he would exclaim;
When he most burned in heart-wish’d luxury,
He preach’d pure maid, and prais’d cold chastity.

‘Thus merely with the garment of a grace,
The naked and concealed fiend he cover’d,
That th’unexperient gave the tempter place,
Which, like a cherubin, above them hover’d.
Who, young and simple, would not be so lover’d?
Ay me! I fell, and yet do question make
What I should do again for such a sake.

‘O, that infected moisture of his eye,
O, that false fire which in his cheek so glow’d!
O, that forc’d thunder from his heart did fly,
O, that sad breath his spongy lungs bestow’d,
O, all that borrowed motion, seeming owed,
Would yet again betray the fore-betrayed,
And new pervert a reconciled maid.’



End of the Project Gutenberg EBook of A Lover’s Complaint,
by William Shakespeare

*** END OF THIS PROJECT GUTENBERG EBOOK A LOVER’S COMPLAINT ***

***** This file should be named 1543-0.txt or 1543-0.zip *****
This and all associated files of various formats will be found in:
        http://www.gutenberg.org/1/5/4/1543/

This etext was prepared by the PG Shakespeare Team,
a team of about twenty Project Gutenberg volunteers.

Updated editions will replace the previous one--the old editions will
be renamed.

Creating the works from print editions not protected by U.S. copyright
law means that no one owns a United States copyright in these works,
so the Foundation (and you!) can copy and distribute it in the United
States without permission and without paying copyright
royalties. Special rules, set forth in the General Terms of Use part
of this license, apply to copying and distributing Project
Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
concept and trademark. Project Gutenberg is a registered trademark,
and may not be used if you charge for the eBooks, unless you receive
specific permission. If you do not charge anything for copies of this
eBook, complying with the rules is very easy. You may use this eBook
for nearly any purpose such as creation of derivative works, reports,
performances and research. They may be modified and printed and given
away--you may do practically ANYTHING in the United States with eBooks
not protected by U.S. copyright law. Redistribution is subject to the
trademark license, especially commercial redistribution.

START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full
Project Gutenberg-tm License available with this file or online at
www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project
Gutenberg-tm electronic works

1.A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or
destroy all copies of Project Gutenberg-tm electronic works in your
possession. If you paid a fee for obtaining a copy of or access to a
Project Gutenberg-tm electronic work and you do not agree to be bound
by the terms of this agreement, you may obtain a refund from the
person or entity to whom you paid the fee as set forth in paragraph
1.E.8.

1.B. "Project Gutenberg" is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this
agreement and help preserve free future access to Project Gutenberg-tm
electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation ("the
Foundation" or PGLAF), owns a compilation copyright in the collection
of Project Gutenberg-tm electronic works. Nearly all the individual
works in the collection are in the public domain in the United
States. If an individual work is unprotected by copyright law in the
United States and you are located in the United States, we do not
claim a right to prevent you from copying, distributing, performing,
displaying or creating derivative works based on the work as long as
all references to Project Gutenberg are removed. Of course, we hope
that you will support the Project Gutenberg-tm mission of promoting
free access to electronic works by freely sharing Project Gutenberg-tm
works in compliance with the terms of this agreement for keeping the
Project Gutenberg-tm name associated with the work. You can easily
comply with the terms of this agreement by keeping this work in the
same format with its attached full Project Gutenberg-tm License when
you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are
in a constant state of change. If you are outside the United States,
check the laws of your country in addition to the terms of this
agreement before downloading, copying, displaying, performing,
distributing or creating derivative works based on this work or any
other Project Gutenberg-tm work. The Foundation makes no
representations concerning the copyright status of any work in any
country outside the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other
immediate access to, the full Project Gutenberg-tm License must appear
prominently whenever any copy of a Project Gutenberg-tm work (any work
on which the phrase "Project Gutenberg" appears, or with which the
phrase "Project Gutenberg" is associated) is accessed, displayed,
performed, viewed, copied or distributed:

  This eBook is for the use of anyone anywhere in the United States and
  most other parts of the world at no cost and with almost no
  restrictions whatsoever. You may copy it, give it away or re-use it
  under the terms of the Project Gutenberg License included with this
  eBook or online at www.gutenberg.org. If you are not located in the
  United States, you'll have to check the laws of the country where you
  are located before using this ebook.

1.E.2. If an individual Project Gutenberg-tm electronic work is
derived from texts not protected by U.S. copyright law (does not
contain a notice indicating that it is posted with permission of the
copyright holder), the work can be copied and distributed to anyone in
the United States without paying any fees or charges. If you are
redistributing or providing access to a work with the phrase "Project
Gutenberg" associated with or appearing on the work, you must comply
either with the requirements of paragraphs 1.E.1 through 1.E.7 or
obtain permission for the use of the work and the Project Gutenberg-tm
trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any
additional terms imposed by the copyright holder. Additional terms
will be linked to the Project Gutenberg-tm License for all works
posted with the permission of the copyright holder found at the
beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including
any word processing or hypertext form. However, if you provide access
to or distribute copies of a Project Gutenberg-tm work in a format
other than "Plain Vanilla ASCII" or other format used in the official
version posted on the official Project Gutenberg-tm web site
(www.gutenberg.org), you must, at no additional cost, fee or expense
to the user, provide a copy, a means of exporting a copy, or a means
of obtaining a copy upon request, of the work in its original "Plain
Vanilla ASCII" or other form. Any alternate format must include the
full Project Gutenberg-tm License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works
provided that

* You pay a royalty fee of 20% of the gross profits you derive from
  the use of Project Gutenberg-tm works calculated using the method
  you already use to calculate your applicable taxes. The fee is owed
  to the owner of the Project Gutenberg-tm trademark, but he has
  agreed to donate royalties under this paragraph to the Project
  Gutenberg Literary Archive Foundation. Royalty payments must be paid
  within 60 days following each date on which you prepare (or are
  legally required to prepare) your periodic tax returns. Royalty
  payments should be clearly marked as such and sent to the Project
  Gutenberg Literary Archive Foundation at the address specified in
  Section 4, "Information about donations to the Project Gutenberg
  Literary Archive Foundation."

* You provide a full refund of any money paid by a user who notifies
  you in writing (or by e-mail) within 30 days of receipt that s/he
  does not agree to the terms of the full Project Gutenberg-tm
  License. You must require such a user to return or destroy all
  copies of the works possessed in a physical medium and discontinue
  all use of and all access to other copies of Project Gutenberg-tm
  works.

* You provide, in accordance with paragraph 1.F.3, a full refund of
  any money paid for a work or a replacement copy, if a defect in the
  electronic work is discovered and reported to you within 90 days of
  receipt of the work.

* You comply with all other terms of this agreement for free
  distribution of Project Gutenberg-tm works.

1.E.9. If you wish to charge a fee or distribute a Project
Gutenberg-tm electronic work or group of works on different terms than
are set forth in this agreement, you must obtain permission in writing
from both the Project Gutenberg Literary Archive Foundation and The
Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm
trademark. Contact the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
works not protected by U.S. copyright law in creating the Project
Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
electronic works, and the medium on which they may be stored, may
contain "Defects," such as, but not limited to, incomplete, inaccurate
or corrupt data, transcription errors, a copyright or other
intellectual property infringement, a defective or damaged disk or
other medium, a computer virus, or computer codes that damage or
cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium
with your written explanation. The person or entity that provided you
with the defective work may elect to provide a replacement copy in
lieu of a refund. If you received the work electronically, the person
or entity providing it to you may choose to give you a second
opportunity to receive the work electronically in lieu of a refund. If
the second copy is also defective, you may demand a refund in writing
without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of
damages. If any disclaimer or limitation set forth in this agreement
violates the law of the state applicable to this agreement, the
agreement shall be interpreted to make the maximum disclaimer or
limitation permitted by the applicable state law. The invalidity or
unenforceability of any provision of this agreement shall not void the
remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in
accordance with this agreement, and any volunteers associated with the
production, promotion and distribution of Project Gutenberg-tm
electronic works, harmless from all liability, costs and expenses,
including legal fees, that arise directly or indirectly from any of
the following which you do or cause to occur: (a) distribution of this
or any Project Gutenberg-tm work, (b) alteration, modification, or
additions or deletions to any Project Gutenberg-tm work, and (c) any
Defect you cause.

Section 2. Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new computers. It
exists because of the efforts of hundreds of volunteers and donations
from people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future
generations. To learn more about the Project Gutenberg Literary
Archive Foundation and how your efforts and donations can help, see
Sections 3 and 4 and the Foundation information page at
www.gutenberg.org



Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation's EIN or federal tax identification
number is 64-6221541. Contributions to the Project Gutenberg Literary
Archive Foundation are tax deductible to the full extent permitted by
U.S. federal laws and your state's laws.

The Foundation's principal office is in Fairbanks, Alaska, with the
mailing address: PO Box 750175, Fairbanks, AK 99775, but its
volunteers and employees are scattered throughout numerous
locations. Its business office is located at 809 North 1500 West, Salt
Lake City, UT 84116, (801) 596-1887. Email contact links and up to
date contact information can be found at the Foundation's web site and
official page at www.gutenberg.org/contact

For additional contact information:

    Dr. Gregory B. Newby
    Chief Executive and Director
    gbnewby@pglaf.org

Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To SEND
DONATIONS or determine the status of compliance for any particular
state visit www.gutenberg.org/donate

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card donations. To
donate, please visit: www.gutenberg.org/donate

Section 5. General Information About Project Gutenberg-tm electronic works.

Professor Michael S. Hart was the originator of the Project
Gutenberg-tm concept of a library of electronic works that could be
freely shared with anyone. For forty years, he produced and
distributed Project Gutenberg-tm eBooks with only a loose network of
volunteer support.

Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as not protected by copyright in
the U.S. unless a copyright notice is included. Thus, we do not
necessarily keep eBooks in compliance with any particular paper
edition.

Most people start at our Web site which has the main PG search
facility: www.gutenberg.org

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.