Project Gutenberg's The Wild Swans at Coole, by William Butler (W.B.) Yeats This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: The Wild Swans at Coole Author: William Butler (W.B.) Yeats Release Date: May 23, 2010 [EBook #32491] Language: English Character set encoding: ISO-8859-1 *** START OF THIS PROJECT GUTENBERG EBOOK THE WILD SWANS AT COOLE *** Produced by Meredith Bach and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.)
THE MACMILLAN COMPANY
NEW YORK · BOSTON · CHICAGO · DALLAS
ATLANTA · SAN FRANCISCO
MACMILLAN & CO., Limited
LONDON · BOMBAY · CALCUTTA
MELBOURNE
THE MACMILLAN CO. OF CANADA, Ltd.
TORONTO
THE MACMILLAN COMPANY
1919
All rights reserved
Copyright, 1917 and 1918,
By MARGARET C. ANDERSON.
Copyright, 1918,
By HARRIET MONROE.
Copyright, 1918 and 1919,
By THE MACMILLAN COMPANY.
Set up and electrotyped. Published March, 1919.
J. S. Cushing Co.—Berwick & Smith Co.
Norwood, Mass., U.S.A.
This book is, in part, a reprint of The Wild Swans at Coole, printed a year ago on my sister's hand-press at Dundrum, Co. Dublin. I have not, however, reprinted a play which may be a part of a book of new plays suggested by the dance plays of Japan, and I have added a number of new poems. Michael Robartes and John Aherne, whose names occur in one or other of these, are characters in some stories I wrote years ago, who have once again become a part of the phantasmagoria through which I can alone express my convictions about the world. I have the fancy[vi] that I read the name John Aherne among those of men prosecuted for making a disturbance at the first production of "The Play Boy," which may account for his animosity to myself.
W. B. Y.
Ballylee, Co. Galway,
September 1918.
| page | |
| The Wild Swans at Coole | 1 |
| In Memory of Major Robert Gregory | 4 |
| An Irish Airman foresees his Death | 13 |
| Men improve with the Years | 14 |
| The Collar-Bone of a Hare | 15 |
| Under the Round Tower | 17 |
| Solomon to Sheba | 19 |
| The Living Beauty | 21 |
| A Song | 22 |
| To a Young Beauty | 23 |
| To a Young Girl | 24 |
| The Scholars | 25 |
| Tom O'Roughley | 26 |
| The Sad Shepherd | 27 |
| Lines written in Dejection | 39 |
| The Dawn | 40[viii] |
| On Woman | 41 |
| The Fisherman | 44 |
| The Hawk | 46 |
| Memory | 47 |
| Her Praise | 48 |
| The People | 50 |
| His Phoenix | 54 |
| A Thought from Propertius | 58 |
| Broken Dreams | 59 |
| A Deep-Sworn Vow | 63 |
| Presences | 64 |
| The Balloon of the Mind | 66 |
| To a Squirrel at Kyle-Na-Gno | 67 |
| On being asked for a War Poem | 68 |
| In Memory of Alfred Pollexfen | 69 |
| Upon a Dying Lady | 72 |
| Ego Dominus Tuus | 79 |
| A Prayer on going into my House | 86 |
| The Phases of the Moon | 88 |
| The Cat and the Moon | 102 |
| The Saint and the Hunchback | 104[ix] |
| Two Songs of a Fool | 106 |
| Another Song of a Fool | 108 |
| The Double Vision of Michael Robartes | 109 |
| Note | 115 |
Shepherd
That cry's from the first cuckoo of the year
I wished before it ceased.
Goatherd
Nor bird nor beast
Could make me wish for anything this day,
Being old, but that the old alone might die,
And that would be against God's Providence.
Let the young wish. But what has brought you here?
[28]Never until this moment have we met
Where my goats browse on the scarce grass or leap
From stone to stone.
Shepherd
I am looking for strayed sheep;
Something has troubled me and in my trouble
I let them stray. I thought of rhyme alone,
For rhyme can beat a measure out of trouble
And make the daylight sweet once more; but when
I had driven every rhyme into its place
The sheep had gone from theirs.
Goatherd
I know right well
What turned so good a shepherd from his charge.
[29]
Shepherd
He that was best in every country sport
And every country craft, and of us all
Most courteous to slow age and hasty youth
Is dead.
Goatherd
The boy that brings my griddle cake
Brought the bare news.
Shepherd
He had thrown the crook away
And died in the great war beyond the sea.
Goatherd
[30]He had often played his pipes among my hills
And when he played it was their loneliness,
The exultation of their stone, that cried
Under his fingers.
Shepherd
I had it from his mother,
And his own flock was browsing at the door.
Goatherd
How does she bear her grief? There is not a shepherd
But grows more gentle when he speaks her name,
Remembering kindness done, and how can I,
That found when I had neither goat nor grazing
New welcome and old wisdom at her fire
Till winter blasts were gone, but speak of her
Even before his children and his wife.
[31]
Shepherd
She goes about her house erect and calm
Between the pantry and the linen chest,
Or else at meadow or at grazing overlooks
Her labouring men, as though her darling lived
But for her grandson now; there is no change
But such as I have seen upon her face
Watching our shepherd sports at harvest-time
When her son's turn was over.
Goatherd
Sing your song,
I too have rhymed my reveries, but youth
[32]Is hot to show whatever it has found
And till that's done can neither work nor wait.
Old goatherds and old goats, if in all else
Youth can excel them in accomplishment,
Are learned in waiting.
Shepherd
You cannot but have seen
That he alone had gathered up no gear,
Set carpenters to work on no wide table,
On no long bench nor lofty milking shed
As others will, when first they take possession,
But left the house as in his father's time
As though he knew himself, as it were, a cuckoo,
[33]No settled man. And now that he is gone
There's nothing of him left but half a score
Of sorrowful, austere, sweet, lofty pipe tunes.
Goatherd
You have put the thought in rhyme.
Shepherd
I worked all day
And when 'twas done so little had I done
That maybe 'I am sorry' in plain prose
Had sounded better to your mountain fancy.
[He sings.
'Like the speckled bird that steers
Thousands of leagues oversea,
And runs for a while or a while half-flies
[34]Upon his yellow legs through our meadows,
He stayed for a while; and we
Had scarcely accustomed our ears
To his speech at the break of day,
Had scarcely accustomed our eyes
To his shape in the lengthening shadows,
Where the sheep are thrown in the pool,
When he vanished from ears and eyes.
I had wished a dear thing on that day
I heard him first, but man is a fool.'
Goatherd
You sing as always of the natural life,
And I that made like music in my youth
Hearing it now have sighed for that young man
And certain lost companions of my own.
[35]
Shepherd
They say that on your barren mountain ridge
You have measured out the road that the soul treads
When it has vanished from our natural eyes;
That you have talked with apparitions.
Goatherd
Indeed
My daily thoughts since the first stupor of youth
Have found the path my goats' feet cannot find.
Shepherd
Sing, for it may be that your thoughts have plucked
Some medicable herb to make our grief
Less bitter.
[36]
Goatherd
They have brought me from that ridge
Seed pods and flowers that are not all wild poppy.
[Sings.
'He grows younger every second
That were all his birthdays reckoned
Much too solemn seemed;
Because of what he had dreamed,
Or the ambitions that he served,
Much too solemn and reserved.
Jaunting, journeying
To his own dayspring,
He unpacks the loaded pern
Of all 'twas pain or joy to learn,
Of all that he had made.
The outrageous war shall fade;
At some old winding whitethorn root
He'll practice on the shepherd's flute,
Or on the close-cropped grass
[37]Court his shepherd lass,
Or run where lads reform our day-time
Till that is their long shouting play-time;
Knowledge he shall unwind
Through victories of the mind,
Till, clambering at the cradle side,
He dreams himself his mother's pride,
All knowledge lost in trance
Of sweeter ignorance.'
Shepherd
When I have shut these ewes and this old ram
Into the fold, we'll to the woods and there
Cut out our rhymes on strips of new-torn bark
But put no name and leave them at her door.
[38]To know the mountain and the valley grieve
May be a quiet thought to wife and mother,
And children when they spring up shoulder high.
[39]
Hic
On the grey sand beside the shallow stream
Under your old wind-beaten tower, where still
A lamp burns on beside the open book
That Michael Robartes left, you walk in the moon
And though you have passed the best of life still trace
Enthralled by the unconquerable delusion
Magical shapes.
[80]
Ille
By the help of an image
I call to my own opposite, summon all
That I have handled least, least looked upon.
Hic
And I would find myself and not an image.
Ille
That is our modern hope and by its light
We have lit upon the gentle, sensitive mind
And lost the old nonchalance of the hand;
Whether we have chosen chisel, pen or brush
We are but critics, or but half create,
Timid, entangled, empty and abashed
Lacking the countenance of our friends.
[81]
Hic
And yet
The chief imagination of Christendom
Dante Alighieri so utterly found himself
That he has made that hollow face of his
More plain to the mind's eye than any face
But that of Christ.
Ille
And did he find himself,
Or was the hunger that had made it hollow
A hunger for the apple on the bough
Most out of reach? and is that spectral image
The man that Lapo and that Guido knew?
I think he fashioned from his opposite
[82]An image that might have been a stony face,
Staring upon a bedouin's horse-hair roof
From doored and windowed cliff, or half upturned
Among the coarse grass and the camel dung.
He set his chisel to the hardest stone.
Being mocked by Guido for his lecherous life,
Derided and deriding, driven out
To climb that stair and eat that bitter bread,
He found the unpersuadable justice, he found
The most exalted lady loved by a man.
Hic
Yet surely there are men who have made their art
Out of no tragic war, lovers of life,
Impulsive men that look for happiness
And sing when they have found it.
[83]
Ille
No, not sing,
For those that love the world serve it in action,
Grow rich, popular and full of influence,
And should they paint or write still it is action:
The struggle of the fly in marmalade.
The rhetorician would deceive his neighbours,
The sentimentalist himself; while art
Is but a vision of reality.
What portion in the world can the artist have
Who has awakened from the common dream
But dissipation and despair?
Hic
And yet
No one denies to Keats love of the world;
Remember his deliberate happiness.
[84]
Ille
His art is happy but who knows his mind?
I see a schoolboy when I think of him,
With face and nose pressed to a sweet-shop window,
For certainly he sank into his grave
His senses and his heart unsatisfied,
And made—being poor, ailing and ignorant,
Shut out from all the luxury of the world,
The coarse-bred son of a livery stable-keeper—
Luxuriant song.
Hic
Why should you leave the lamp
Burning alone beside an open book,
And trace these characters upon the sands;
A style is found by sedentary toil
And by the imitation of great masters.
[85]
Ille
Because I seek an image, not a book.
Those men that in their writings are most wise
Own nothing but their blind, stupefied hearts.
I call to the mysterious one who yet
Shall walk the wet sands by the edge of the stream
And look most like me, being indeed my double,
And prove of all imaginable things
The most unlike, being my anti-self,
And standing by these characters disclose
All that I seek; and whisper it as though
He were afraid the birds, who cry aloud
Their momentary cries before it is dawn,
Would carry it away to blasphemous men.
[86]
An old man cocked his ear upon a bridge;
He and his friend, their faces to the South,
Had trod the uneven road. Their boots were soiled,
Their Connemara cloth worn out of shape;
They had kept a steady pace as though their beds,
Despite a dwindling and late risen moon,
Were distant. An old man cocked his ear.
Aherne
What made that sound?
[89]
Robartes
A rat or water-hen
Splashed, or an otter slid into the stream.
We are on the bridge; that shadow is the tower,
And the light proves that he is reading still.
He has found, after the manner of his kind,
Mere images; chosen this place to live in
Because, it may be, of the candle light
From the far tower where Milton's platonist
Sat late, or Shelley's visionary prince:
The lonely light that Samuel Palmer engraved,
An image of mysterious wisdom won by toil;
And now he seeks in book or manuscript
What he shall never find.
[90]
Aherne
Why should not you
Who know it all ring at his door, and speak
Just truth enough to show that his whole life
Will scarcely find for him a broken crust
Of all those truths that are your daily bread;
And when you have spoken take the roads again?
Robartes
He wrote of me in that extravagant style
He had learnt from Pater, and to round his tale
Said I was dead; and dead I chose to be.
[91]
Aherne
Sing me the changes of the moon once more;
True song, though speech: 'mine author sung it me.'
Robartes
Twenty-and-eight the phases of the moon,
The full and the moon's dark and all the crescents,
Twenty-and-eight, and yet but six-and-twenty
The cradles that a man must needs be rocked in:
For there's no human life at the full or the dark.
From the first crescent to the half, the dream
[92]But summons to adventure and the man
Is always happy like a bird or a beast;
But while the moon is rounding towards the full
He follows whatever whim's most difficult
Among whims not impossible, and though scarred
As with the cat-o'-nine-tails of the mind,
His body moulded from within his body
Grows comelier. Eleven pass, and then
Athenae takes Achilles by the hair,
Hector is in the dust, Nietzsche is born,
Because the heroes' crescent is the twelfth.
And yet, twice born, twice buried, grow he must,
Before the full moon, helpless as a worm.
[93]The thirteenth moon but sets the soul at war
In its own being, and when that war's begun
There is no muscle in the arm; and after
Under the frenzy of the fourteenth moon
The soul begins to tremble into stillness,
To die into the labyrinth of itself!
Aherne
Sing out the song; sing to the end, and sing
The strange reward of all that discipline.
Robartes
All thought becomes an image and the soul
Becomes a body: that body and that soul
[94]Too perfect at the full to lie in a cradle,
Too lonely for the traffic of the world:
Body and soul cast out and cast away
Beyond the visible world.
Aherne
All dreams of the soul
End in a beautiful man's or woman's body.
Robartes
Have you not always known it?
Aherne
The song will have it
That those that we have loved got their long fingers
From death, and wounds, or on Sinai's top,
Or from some bloody whip in their own hands.
[95]They ran from cradle to cradle till at last
Their beauty dropped out of the loneliness
Of body and soul.
Robartes
The lovers' heart knows that.
Aherne
It must be that the terror in their eyes
Is memory or foreknowledge of the hour
When all is fed with light and heaven is bare.
Robartes
When the moon's full those creatures of the full
Are met on the waste hills by country men
Who shudder and hurry by: body and soul
[96]Estranged amid the strangeness of themselves,
Caught up in contemplation, the mind's eye
Fixed upon images that once were thought,
For separate, perfect, and immovable
Images can break the solitude
Of lovely, satisfied, indifferent eyes.
And thereupon with aged, high-pitched voice
Aherne laughed, thinking of the man within,
His sleepless candle and laborious pen.
Robartes
And after that the crumbling of the moon.
The soul remembering its loneliness
Shudders in many cradles; all is changed,
[97]It would be the World's servant, and as it serves,
Choosing whatever task's most difficult
Among tasks not impossible, it takes
Upon the body and upon the soul
The coarseness of the drudge.
Aherne
Before the full
It sought itself and afterwards the world.
Robartes
Because you are forgotten, half out of life,
And never wrote a book your thought is clear.
Reformer, merchant, statesman, learned man,
Dutiful husband, honest wife by turn,
Cradle upon cradle, and all in flight and all
Deformed because there is no deformity
But saves us from a dream.
[98]
Aherne
And what of those
That the last servile crescent has set free?
Robartes
Because all dark, like those that are all light,
They are cast beyond the verge, and in a cloud,
Crying to one another like the bats;
And having no desire they cannot tell
What's good or bad, or what it is to triumph
At the perfection of one's own obedience;
And yet they speak what's blown into the mind;
Deformed beyond deformity, unformed,
Insipid as the dough before it is baked,
They change their bodies at a word.
[99]
Aherne
And then?
Robartes
When all the dough has been so kneaded up
That it can take what form cook Nature fancy
The first thin crescent is wheeled round once more.
Aherne
But the escape; the song's not finished yet.
Robartes
Hunchback and saint and fool are the last crescents.
The burning bow that once could shoot an arrow
[100]Out of the up and down, the wagon wheel
Of beauty's cruelty and wisdom's chatter,
Out of that raving tide is drawn betwixt
Deformity of body and of mind.
Aherne
Were not our beds far off I'd ring the bell,
Stand under the rough roof-timbers of the hall
Beside the castle door, where all is stark
Austerity, a place set out for wisdom
That he will never find; I'd play a part;
He would never know me after all these years
But take me for some drunken country man;
[101]I'd stand and mutter there until he caught
'Hunchback and saint and fool,' and that they came
Under the three last crescents of the moon,
And then I'd stagger out. He'd crack his wits
Day after day, yet never find the meaning.
And then he laughed to think that what seemed hard
Should be so simple—a bat rose from the hazels
And circled round him with its squeaky cry,
The light in the tower window was put out.
[102]
Hunchback
Stand up and lift your hand and bless
A man that finds great bitterness
In thinking of his lost renown.
A Roman Caesar is held down
Under this hump.
Saint
God tries each man
According to a different plan.
I shall not cease to bless because
I lay about me with the taws
[105]That night and morning I may thrash
Greek Alexander from my flesh,
Augustus Caesar, and after these
That great rogue Alcibiades.
Hunchback
To all that in your flesh have stood
And blessed, I give my gratitude,
Honoured by all in their degrees,
But most to Alcibiades.
[106]
"Unpack the loaded pern," p. 36.
When I was a child at Sligo I could see above my grandfather's trees a little column of smoke from "the pern mill," and was told that "pern" was another name for the spool, as I was accustomed to call it, on which thread was wound. One could not see the chimney for the trees, and the smoke looked as if it came from the mountain, and one day a foreign sea-captain asked me if that was a burning mountain.
W. B. Y.
Printed in the United States of America.
Page 64: "lecturn" sic—alternative spelling confirmed.
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