This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org
Title: Charles' Journey to France, and Other Tales
Author: Anna Laetitia Barbauld
Release Date: July 11, 2011 [eBook #36707]
Language: English
Character set encoding: ISO-8859-1
***START OF THE PROJECT GUTENBERG EBOOK CHARLES' JOURNEY TO FRANCE, AND OTHER TALES***
| Note: | Images of the original pages are available through the Digital Media Repository, Archives and Special Collections, Ball State University Libraries. See http://libx.bsu.edu/cdm4/item_viewer.php?CISOROOT=/chapbks&CISOPTR=268&CISOBOX=1&REC=2 |
The design of this Series of unpretending little books, is, to give to the Young, information, joined with amusement.
They are prepared for young children, and if, from the reading of these stories, they acquire a love for good books, the compiler's object will be accomplished.
| Charles' Journey to France, | 9 |
| The Ball Players, | 32 |
| The Little Boy who was a Coward, | 39 |
| My Mother, | 44 |
| Stories of Dogs, | 49 |
| A Naughty Boy, | 59 |
| The Silly Lamb, | 63 |
| Lucy and her Lamb, | 71 |
Well, Charles, we will take a journey. We will go to France. We will see some of the world besides home.
Bring your hat. Good-bye, Papa. Farewell, Billy, and Harry, and every body. We are going a great way off. And we shall go down the lane, and through the church-yard and by the corner-house, and over the stile,[Pg 10] till we have got quite into the fields. How pretty the fields will look! for it will be summer days again before we go. And there will be yellow flowers, and white flowers, and grass, and trees, and hedges; and the grasshoppers, will chirp, chirp, under our feet. Do not try to catch them; it will only hinder us, and we have a great way to go.
Pray what are those pretty creatures that look so meek and good-natured, and have soft thick white wool upon their backs, like a greatcoat, and make a noise like the little baby when it cries? Those are sheep[Pg 11] and lambs. And what are those creatures with horns, that are bigger than the sheep? Some of them are black, and some red: they make a loud noise, but they do not look as if they would hurt any body. Those are cows that give milk. Stroke them. Poor cows! stand still and look back. Now we cannot see papa's house at all; and we can see only the top of the church steeple. Let us go a little farther. Now look back. Now we cannot see the church at all. Farewell! We are going a great way. Shall we ever come back again? Yes, we shall come back again; but[Pg 12] we must go on now. Come, make haste.
What is that tall thing that has four great arms which move very fast? I believe, if I was near it, they would strike me down. It is a wind-mill. Those arms are the sails. The wind turns them round. And what is a wind-mill for? It is to grind corn. You could have no bread if the corn were not ground. Well, but here is a river; how shall we do to get over it? Why, do you not see how those ducks do? they swim over. But I cannot swim. Then you must learn to swim, I believe: it is too wide to[Pg 15] jump over. O, here is a Bridge! Somebody has made a bridge for us quite over the river. That somebody was very good, for I do not know what we should have done without it; and he was very clever too. I wonder how he made it. I am sure I could not make such a bridge.
Well, we must go on, on, on; and we shall see more rivers, and more fields, and towns bigger than our town a great deal—large towns, and fine churches, streets, and people—more than there is at the fair. And we shall have a great many high hills to climb. I believe I must get somebody[Pg 16] to carry the little boy up those high hills. And sometimes we shall go through dusty sandy roads; and sometimes through green lanes, where we shall hear the birds sing.
Sometimes we shall go over wide commons, where we shall see no trees, nor any house; and large heaths,[Pg 17] where there is hardly any grass—only some purple flowers, and a few black nosed little sheep. Ha! did you see that pretty brown creature that ran across the path? Here is another; and look! there is another; there are a great many. They are rabbits. They live here, and make themselves houses in the ground. This is a rabbit-warren.
Now we are come amongst a great many trees—more trees than there are in the orchard by a great many, and taller trees. There is oak, and ash, and elm. This is a wood. What great boughs the trees have! like thick[Pg 18] arms. The sun cannot shine amongst the trees, they are so thick. Look, there is a squirrel! Jumping from one tree to another. He is very nimble. What a pretty tail he has!
Well; when we have gone on a great many days, through a great many fields and towns, we shall come to a great deep water, bigger a great many times than the river, for you can see over the river, you know—you can see fields on the other side; but this is so large, and so wide, you can see nothing but water, water, as far as ever you can carry your eyes. And it is not smooth, like the river;[Pg 19] it is all rough, like the great pot in the kitchen when it is boiling; and it is so deep, it would drown you, if you were as tall as two church steeples. I wonder what they call this great water? There is an old fisherman sitting upon a stone drying himself; for he is very wet. I think we will ask him. Pray, fisherman, what is this great water? It is the sea: did you never hear of the sea? What! is this great water the same sea that is on our map at home? Yes, it is. Well, this is very strange! we are come to the sea that is in our map. But it is very little in the map. I[Pg 20] can lay my finger over it. Yes; it is little in the map, because every thing is little in the map, the towns are little, and the houses are little.
Pray, fisherman, is there any thing on the other side of this sea? Yes; fields, and towns, and people. Will you go and see them? I should like to go very well; but how must we do to get over? for there is no bridge here. Do not you see those great wooden boxes that swim upon the water? They are bigger than all papa's house. There are tall poles in the middle, as high as a tree. Those are masts. See! now they are spreading[Pg 21] the sails. Those white sheets are the sails. They are like wings. These wooden boxes are like houses with wings. Yes, and I will tell you what, little boy! they are made on purpose to go over the sea; and the wind blows them along faster than a horse can trot. What do they call them? They call them ships. You have seen a ship in a picture. Shall we get in? What have those men in the ship got on? They have jackets and trowsers on, and checked shirts. They are sailors. I think we will make you a sailor; and then instead of breeches you must have a pair of trowsers. Do[Pg 22] you see that sailor, how he climbs up the ropes? He runs up like a monkey. Now he is at the top of the mast. How little he looks! but we must get in. Come, make haste: they will not stay for us. What are you doing? picking up shells! We must get into a boat first, because the ship is not near enough. Now we are in.
Now we are upon the great sea. Blow, blow, wind! Sail away, ship! There are little rooms in the ship. Those little rooms are called cabins. Let us walk about, and look at the ship. Why, you cannot walk steady;[Pg 23] I am afraid you are tipsy! because the ship rolls about. But the sailors can walk steady. The sea is not like the river; it is greenish. Well, here is water enough if we should be thirsty. Yes, here is water enough; but you would not like to drink it. It is salt and bitter. You could not drink it. How fast we go! Now the fields are a great way off. Now we cannot see any green fields at all, nor any houses, nor any thing but the great deep water. It is water, all round as far as ever we can see. Yes, and sky; we can see the sky too. All sky over our heads, and all water every where[Pg 24] round us! Do not be afraid, little boy! blow, blow, wind! sail away, ship! I see some things in the sea at a great distance. Those are more ships and boats. How very small they are! they look like nut shells in a great pond. O, now we are coming to the green fields and towns on the other side of the sea! I can see them a little. Now I can see them very plain. And here is a little piece of green land, with the water running all round it. That is an island. A piece of land with water all round it, is an island. But we are not going there; we are going to the great land.
[Pg 25]Now we are at the land. Get out of the ship. Pray, what country is this? This is France. France! why France is in the map too.
And pray what is the name of that country we came from, where we live, and where papa lives? It is England. And the deep sea is between France and England? Yes, you know it is so in the map.
O, France is a pretty place! it is warmer than our country: and here are pretty flowers and fine fruit, and large grapes. I never saw such large grapes in all my life. And the vines grow in the fields; they do not grow[Pg 26] against walls, as our vines do. And there are a great many people, men and women, and little boys and girls, singing, and dancing about, and so merry! nothing can be like it. I think we will live here, and send for papa and Arthur. Let us go and talk with those people. Here, you little girl! pray give us some of your nice fruit. Serviteur Monsieur. What do you say, little girl? I do not understand you. I cannot help that. Here is an old man cutting vines; we will speak to him. Pray, old man, will you give us some of your fruit? We are come a great way to see you.[Pg 27] Serviteur Monsieur. What do you say? We do not know what Serviteur Monsieur is. It is French. But we do not understand French. I cannot help that; you must go home and learn. And why do you speak French? Because this is France. Did not you know that every body speaks French in France! Ha, ha, ha! He, he, he! Ho, ho, ho! Here is a foolish little boy come a great way over the sea, and does not know that every body speaks French in France. Ha, ha, ha! He, he he! Ho, ho, ho! Here is a foolish[Pg 28] little boy come a great way over the sea, and does not know that every body speaks French in France. Ha, ha, ha! He, he, he! Ho, ho, ho! Here is a foolish little boy come a great way over the sea, and does not know that every body speaks French in France. Ha, ha, ha! He, he, he! Ho, ho, ho!—What shall we do, little boy? every body laughs at us; and all the little birds twitter and chirp at us. We will go home again. Farewell, France! We will not go to France again till papa has taught us to talk French. Let us go into the ship[Pg 31] again. Blow, wind, sail away ship! Now we are got back again. Pray, papa, teach the little boy French before he goes a great way abroad again.
There was once a little boy, who was a sad coward. He was afraid of every thing almost. He was afraid of the two kids, Nanny and Billy, when they came and put their noses through the pales of the court; and he would not pluck Billy by the beard. What a silly boy he was! Pray what was his name? Nay, indeed, I shall not tell you his name; for I am[Pg 40] ashamed of him. Well, he was much afraid of dogs, too: he always cried if a dog barked, and ran away, and took hold of his mamma's apron like a baby. What a foolish fellow he was! for the dogs do not hurt, you know; they love little boys and play with them. Did you ever see a dog eat up a little boy? No, never, I dare say. Well; so this simple little boy was walking by himself one day, and a pretty black dog came out of a house, and said, bow, wow, bow, wow; and came to the little boy, and jumped upon him, and wanted to play with him; but the little boy ran away.[Pg 41] The dog ran after him, and cried louder, bow, bow, wow; but he only meant to say, Good-morrow, how do you do? but this little boy was sadly frightened, and ran away as fast as ever he could, without looking before him, and he tumbled into a very dirty ditch, and there he lay crying at the bottom of the ditch, for he could not get out: and I believe he would have laid there all day, but the dog was so good-natured that he went to the house where the little boy lived, on purpose to tell them where he was. So, when he came to the house, he scratched at the door, and said, Bow,[Pg 42] wow; for he could not speak any plainer. So they opened the door.
What do you want, you black dog? We do not know you. Then the dog went to Ralph the servant, and pulled him by the coat, and pulled him till he brought him to the ditch; and the dog and Ralph together got the little boy out of the ditch; but he was all over mud, and quite wet, and every body laughed at him because he was a coward.
Now, Charles, my pen is tired, I cannot write any more at present; but if you are a good boy, perhaps I may write you some more stories another time. Farewell.
Dogs are very useful creatures, and they are much attached to man. Some of them will play with little boys, will run after a ball and bring it back to their playfellow. Spaniels or water dogs will bring sticks which are thrown into the water. Some carry baskets. They do many useful and amusing things for their masters.
[Pg 50]There is a large house upon the top of a mountain, in Italy, in which a great many people live, called monks. The house is called a convent. These monks have a very fine breed of dogs, called the dogs of St. Bernard. They are a very large fine looking dog, very strong and very bold, and yet very kind. Not cross, like some of the little curs, we see every day. These dogs are trained to go down the mountains, and if they find any travelers, who have lost their way in the deep snow, or who are unable to get to the convent, these dogs help them. One of them in ranging about[Pg 51] the mountain a few years ago, met with a poor little boy, almost dead with cold and hunger, and so benumbed that he could not walk.
The dog made signs to him, so as to make him understand, that he wanted him to get up upon his back, which after much trouble, the poor little[Pg 52] boy did, and the dog carried him to the convent, where he was put into a warm bed, and taken so good care of, that he was soon quite well.
All dogs, however, are not like the good dogs of St. Bernard. Some are very vicious. Such dogs are dangerous animals, and certainly should not be permitted to go unchained.
There was an instance of great ferocity on the part of a dog exhibited not long since, in the streets of New York. A horse belonging to a poor drayman, got free from the halter with which he was fastened, and started for home. The drayman as[Pg 55] soon as he found the horse gone, went in pursuit and called upon the people in the streets to stop his horse. A bull-dog also taking the alarm pursued the horse, and soon coming up with him, seized the poor animal by the upper lip. The horse, terribly frightened, ran along several streets, the dog all the time hanging to his lip. At length a crowd collecting prevented his farther progress; and to escape being caught, and frantic with pain and fear, he rushed into a hardware shop, and thence into the parlor where all the family were at tea. After turning over the chairs and table,[Pg 56] they were driven back into the shop, when every exertion was made in vain by the owner of the horse, and several others to release the animal from the gripe of the tormentor. At last one of the company with a knife put an end to the dog's existence, thus releasing the poor horse.
There was a naughty boy; I do not know what his name was, but it was not Charles, nor George, nor Arthur, for those are all very pretty names: but there was a robin came in at his window one very cold morning—shiver—shiver; and its poor little heart was almost frozen to death. And he would not give it the least little crumb of bread in the world,[Pg 60] but pulled it about by the tail, and hurt it sadly, and it died. Now a little while after, the naughty boy's papa and mamma went away and left him, and then he could get no victuals at all, for you know he could not take care of himself. So he went about to every body—Pray give me something to eat, I am very hungry. And every body said, No, we shall give you none, for we do not love cruel, naughty boys. So he went about from one place to another, till at last he got into a thick wood of trees, for he did not know how to find his way any where; and then it grew dark,[Pg 61] quite a dark night. So he sat down and cried sadly; and he could not get out of the wood; and I believe the bears came and eat him up in the wood, for I never heard any thing about him afterwards.
I will tell you a story about a lamb. There was once a shepherd, who had a great many sheep and lambs. He took a great deal of care of them, and gave them sweet fresh grass to eat, and clear water to drink; and if they were sick he was very good to them, and when they climbed up a steep hill, and the lambs were tired, he used to carry them in his[Pg 64] arms; and when they were all eating their suppers in the field, he used to sit upon a stile, and play them a tune, and sing to them; and so they were the happiest sheep and lambs in the whole world. But every night this shepherd used to pen them up in a fold. Do you know what a sheepfold is? Well, I will tell you. It is a place like the court; but instead of pales there are hurdles, which are made of sticks that will bend, such as osier twigs; and they are twisted and made very fast, so that nothing can creep in, and nothing can get out. Well, and so every night, when it[Pg 65] grew dark and cold, the shepherd called all his flock, sheep and lambs, together, and drove them into the fold, and penned them up, and there they lay, as snug and warm and as comfortable as could be, and nothing could get into and hurt them, and the dogs lay round on the outside to guard them, and to bark if any body came near; and in the morning the shepherd unpenned the fold, and let them all out again.
Now they were all very happy, as I told you, and loved the shepherd dearly that was so good to them—all except one foolish little lamb. And this[Pg 66] lamb did not like to be shut up every night in the fold; and she came to her mother, who was a wise old sheep, and said to her, I wonder why we are shut up so every night! the dogs are not shut up, and why should we be shut up? I think it is very hard, and I will get away if I can, I am resolved, for I like to run about where I please, and I think it is very pleasant in the woods by moonlight. Then the old sheep said to her, you are very silly, you little lamb, you had better stay in the fold. The shepherd is so good to us, that we should always do as he bids us; and if you[Pg 67] wander about by yourself, I dare say you will come to some harm. I dare say not, said the little lamb: and so when the evening came, and the shepherd called them all to come into the fold, she would not come, but crept slily under a hedge and hid herself; and when the rest of the lambs were all in the fold and fast asleep, she came out and jumped, and frisked, and danced about; and she got out of the field, and got into a forest full of trees, and a very fierce wolf came rushing out of a cave and howled very loud. Then the silly lamb wished she had been shut up in the fold; but the fold[Pg 68] was a great way off,—and the wolf saw her, and seized her, and carried her away to a dismal dark den, all covered with bones and blood; and there the wolf had two cubs, and the wolf said to them, Here, I have brought you a young fat lamb—and so the cubs took her, and growled over her a little while, and then tore her to pieces, and ate her up.
| POETICAL TALES. By Mary Howitt. |
| STORIES ABOUT ANIMALS. By Uncle Thomas. |
| STORIES OF THE MONTHS. By Mrs. Barbauld. |
| CHARLES' JOURNEY TO FRANCE. By Mrs. Barbauld. |
| PHEBE, THE BLACKBERRY GIRL. |
| GRIMALKIN AND LITTLE FIDO. |
***END OF THE PROJECT GUTENBERG EBOOK CHARLES' JOURNEY TO FRANCE, AND OTHER TALES***
******* This file should be named 36707-h.txt or 36707-h.zip *******
This and all associated files of various formats will be found in:
http://www.gutenberg.org/3/6/7/0/36707
Updated editions will replace the previous one--the old editions will be renamed.
Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and printed and given away--you may do practically ANYTHING with public domain eBooks. Redistribution is subject to the trademark license, especially commercial redistribution.
*** START: FULL LICENSE ***
THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
http://www.gutenberg.org/license).
Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
electronic works
1.A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.
1.B. "Project Gutenberg" is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works. Nearly all the individual works in the
collection are in the public domain in the United States. If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed. Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work. You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.
1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are in
a constant state of change. If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work. The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.
1.E. Unless you have removed all references to Project Gutenberg:
1.E.1. The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org
1.E.2. If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges. If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.
1.E.3. If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder. Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.
1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.
1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.
1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form. However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form. Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.
1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.
1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that
- You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg-tm works calculated using the method
you already use to calculate your applicable taxes. The fee is
owed to the owner of the Project Gutenberg-tm trademark, but he
has agreed to donate royalties under this paragraph to the
Project Gutenberg Literary Archive Foundation. Royalty payments
must be paid within 60 days following each date on which you
prepare (or are legally required to prepare) your periodic tax
returns. Royalty payments should be clearly marked as such and
sent to the Project Gutenberg Literary Archive Foundation at the
address specified in Section 4, "Information about donations to
the Project Gutenberg Literary Archive Foundation."
- You provide a full refund of any money paid by a user who notifies
you in writing (or by e-mail) within 30 days of receipt that s/he
does not agree to the terms of the full Project Gutenberg-tm
License. You must require such a user to return or
destroy all copies of the works possessed in a physical medium
and discontinue all use of and all access to other copies of
Project Gutenberg-tm works.
- You provide, in accordance with paragraph 1.F.3, a full refund of any
money paid for a work or a replacement copy, if a defect in the
electronic work is discovered and reported to you within 90 days
of receipt of the work.
- You comply with all other terms of this agreement for free
distribution of Project Gutenberg-tm works.
1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark. Contact the
Foundation as set forth in Section 3 below.
1.F.
1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection. Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.
1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.
1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium with
your written explanation. The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund. If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund. If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.
1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS,' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law. The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.
1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.
Section 2. Information about the Mission of Project Gutenberg-tm
Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers. It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.
Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at http://www.gutenberg.org/fundraising/pglaf.
Section 3. Information about the Project Gutenberg Literary Archive
Foundation
The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation's EIN or federal tax identification
number is 64-6221541. Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.
The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations. Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
business@pglaf.org. Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at http://www.gutenberg.org/about/contact
For additional contact information:
Dr. Gregory B. Newby
Chief Executive and Director
gbnewby@pglaf.org
Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation
Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.
The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To
SEND DONATIONS or determine the status of compliance for any
particular state visit http://www.gutenberg.org/fundraising/pglaf
While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.
International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.
Please check the Project Gutenberg Web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card donations.
To donate, please visit: http://www.gutenberg.org/fundraising/donate
Section 5. General Information About Project Gutenberg-tm electronic
works.
Professor Michael S. Hart is the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone. For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.
Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included. Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.
Each eBook is in a subdirectory of the same number as the eBook's
eBook number, often in several formats including plain vanilla ASCII,
compressed (zipped), HTML and others.
Corrected EDITIONS of our eBooks replace the old file and take over
the old filename and etext number. The replaced older file is renamed.
VERSIONS based on separate sources are treated as new eBooks receiving
new filenames and etext numbers.
Most people start at our Web site which has the main PG search facility:
http://www.gutenberg.org
This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.
EBooks posted prior to November 2003, with eBook numbers BELOW #10000,
are filed in directories based on their release date. If you want to
download any of these eBooks directly, rather than using the regular
search system you may utilize the following addresses and just
download by the etext year.
http://www.gutenberg.org/dirs/etext06/
(Or /etext 05, 04, 03, 02, 01, 00, 99,
98, 97, 96, 95, 94, 93, 92, 92, 91 or 90)
EBooks posted since November 2003, with etext numbers OVER #10000, are
filed in a different way. The year of a release date is no longer part
of the directory path. The path is based on the etext number (which is
identical to the filename). The path to the file is made up of single
digits corresponding to all but the last digit in the filename. For
example an eBook of filename 10234 would be found at:
http://www.gutenberg.org/dirs/1/0/2/3/10234
or filename 24689 would be found at:
http://www.gutenberg.org/dirs/2/4/6/8/24689
An alternative method of locating eBooks:
http://www.gutenberg.org/dirs/GUTINDEX.ALL
*** END: FULL LICENSE ***